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Curtains by Tom Jokinen While apprenticing with a third-generation undertaker, journalist Tom Jokinen called the gap between a person's last breath and the reappearance of their body in a casket or urn as the time that "people pay us to keep to ourselves.

Working Stiff by Judy Melinek, M. Mitchell The field of forensic pathology is laid out bloody and bare in Dr. Judy Melinek's unvarnished memoir of her experiences as a young medical examiner in New York City, both before and after the September 11 terrorist attacks.

Although at times grim, Dr. Melinek's sense of humor remains intact, and her reverence for the dead she comes in contact with always shines through.

Mortality by Christopher Hitchens Throughout the course of his ordeal battling esophageal cancer, Christopher Hitchens, a confirmed atheist, adamantly and bravely refused the solace of religion.

In this riveting account, he poignantly embraces the range of human emotions as cancer invades his body and compels him to grapple with the enigma of death.

Knocking on Heaven's Door by Katy Butler Part memoir, part medical history, and part spiritual guide, this visionary book posits that the technological medical system, obsessed with maximum longevity, often creates more suffering than it prevents.

Knocking on Heaven's Door is inspiring passionate conversations about lighting the path to a better way of death. Being Mortal by Atul Gawande Modern medicine has transformed birth, injury, and infectious disease from harrowing to manageable, but in the inevitable condition of aging and death, the goals of medicine frequently run counter to the interest of the human spirit.

Full of eye-opening research and riveting storytelling, bestselling author Atul Gawande asserts that medicine can provide not only a good life but also a good end.

The result is a personal meditation on our flesh-and-blood existence and our mortal being that provokes us to contemplate the brevity and radiance of our own sojourn on earth.

Grave Matters by Mark Harris Shoppers should be savvy, and that extends to the death industry. Joseph uses her 20 years of work in hospice, as well as history, philosophy, and personal anecdotes to illuminate the unknowable.

In the Slender Margin is a thoughtful rumination on death and mortality. On Death and Dying is one of the most definitive psychological studies of the 20th century.

It is the first text in which Ross described the now-famous five stages of death also known as the five stages of grief : denial, anger, bargaining, depression, and acceptance.

The nonfiction work features interviews and conversations, examining how death affects patients, families, and professionals.

Marylin Webb bases her The Good Death on more than six years of firsthand research. As an investigative journalist, Webb delves deep into the medical, ethical, and legal controversies that surround dying and end-of-life care.

Schillace talks about death and death rituals, and what led us to the current level of death sanitization and avoidance.

However, keep in mind that everyone experiences loss differently. If you find one of the books on this list helpful in your time of grief, one of the best things you can do is pass the book on to others.

If someone else in your life is grieving, a book makes a beautiful sympathy gift. Looking for more recommendations?

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Share your final wishes, just in case. They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver, [51] perhaps half the annual pay of a labourer.

In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.

Most owners were men, and generally the vignettes included the owner's wife as well. However, during the Third Intermediate Period, 2 were for women for every 1 for a man; and women owned roughly a third of the hieratic papyri from the Late and Ptolemaic Periods.

The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.

The words peret em heru , or coming forth by day sometimes appear on the reverse of the outer margin, perhaps acting as a label.

Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.

The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.

The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.

Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script.

The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.

Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.

Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.

The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.

Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.

The existence of the Book of the Dead was known as early as the Middle Ages , well before its contents could be understood.

Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread but mistaken belief that the Book of the Dead was the equivalent of a Bible or Qur'an.

In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.

He also introduced the spell numbering system which is still in use, identifying different spells. The work of E. Wallis Budge , Birch's successor at the British Museum, is still in wide circulation — including both his hieroglyphic editions and his English translations of the Papyrus of Ani , though the latter are now considered inaccurate and out-of-date.

Allen and Raymond O. Faulkner Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism.

Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts. Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida.

In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible.

In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.

However, a very large amount of the source material in museums around the world remains unpublished. From Wikipedia, the free encyclopedia.

For other uses, see Book of the Dead disambiguation. Ancient Egyptian funerary text. See also: List of Book of the Dead spells. Main article: Ancient Egyptian afterlife beliefs.

The ancient Egyptian books of the afterlife. Cornell University Press. Taylor , p. How to Read the Egyptian Book of the Dead. New York: Granta Publications.

Papyrus of Ani. Ancient Egyptian religion.

Book Of Death

Full of eye-opening research and riveting storytelling, bestselling author Atul Gawande asserts that medicine can provide not only a good life but also a good end.

The result is a personal meditation on our flesh-and-blood existence and our mortal being that provokes us to contemplate the brevity and radiance of our own sojourn on earth.

Grave Matters by Mark Harris Shoppers should be savvy, and that extends to the death industry. Mark Harris, an advocate for more environmentally friendly "disposal" choices, has written a highly detailed, organized, and informative volume that will be a welcome respite when the time comes that you, or your family, must make some hard choices.

This remarkable book was the first to explore the now-famous five stages of death and gives readers a better understanding of how imminent death affects the patient, the professionals who serve that patient, and the patient's family, bringing hope to all who are involved.

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The Year of Magical Thinking is the story of marriage, in good times and in bad. Create a free Cake end-of-life planning profile and instantly share your health, legal, funeral, and legacy decisions with a loved one.

Learning about death through nonfiction and factual accounts can help us cope with the reality of mortality. Here are some of the best nonfiction books about death, whether you want to learn about death in medicine, the stages of death, or pick up some professional advice.

Caitlin Doughty, the founder of the nonprofit organization, the Order of the Good Death, describes funeral rituals around the world in this nonfiction work.

Examining the traditions of cultures around the globe helps readers view death from a new perspective. In this exploration, Ann Neuman looks at death and dying in western civilization.

The author covers everything from wakes to funerals and exposes how America is unique from other cultures in how it approaches death.

Biologist Lewis Wolpert offers an in-depth narrative about the basics of human life through the lens of the cell.

Everything we do—from living to dying—is governed by our cells. This work of scientific nonfiction gives an approachable look at the science of why we die.

Sallie Tisdale offers a unique, direct, yet compassionate view on the inevitable, informed by her many years as a palliative care nurse.

Tisdale walks through many topics— the scientific, the spiritual, the absurd, and practical— to bring us a clearer picture of the reality of dying.

Atul Gawande uses his many years of medical experience to break down the idea of death and mortality in this work of nonfiction.

Gawande offers the perspective we should be involved, in addition to the medical community, in the deaths of our loved ones.

How We Die is known as one of the definitive books about death. The observations within each chapter draw a picture of death within health care and our relationship with death.

In the Slender Margin is part memoir, part meditation on death. It offers a journey into the world of dying and death, viewed through an artistic and imaginative lens.

Joseph uses her 20 years of work in hospice, as well as history, philosophy, and personal anecdotes to illuminate the unknowable.

In the Slender Margin is a thoughtful rumination on death and mortality. On Death and Dying is one of the most definitive psychological studies of the 20th century.

It is the first text in which Ross described the now-famous five stages of death also known as the five stages of grief : denial, anger, bargaining, depression, and acceptance.

The nonfiction work features interviews and conversations, examining how death affects patients, families, and professionals. Marylin Webb bases her The Good Death on more than six years of firsthand research.

An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead people enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.

In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat.

There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.

There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.

While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti , or later ushebti.

These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.

Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.

If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.

There, the dead person swore that he had not committed any sin from a list of 42 sins , [44] reciting a text known as the "Negative Confession".

Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice.

Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.

Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".

This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content. The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.

For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.

A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funerals, or by the relatives of someone recently deceased.

They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver, [51] perhaps half the annual pay of a labourer.

In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.

Most owners were men, and generally the vignettes included the owner's wife as well. However, during the Third Intermediate Period, 2 were for women for every 1 for a man; and women owned roughly a third of the hieratic papyri from the Late and Ptolemaic Periods.

The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.

The words peret em heru , or coming forth by day sometimes appear on the reverse of the outer margin, perhaps acting as a label.

Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later. The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.

The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.

Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus.

From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script. The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.

Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.

Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.

The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.

Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.

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